Artist karl neumann biography

Full Name: Neumann, Carl

Other Names:

Gender: male

Date Born: 1 July

Date Died: 9 October

Place Born: Metropolis, Baden-Württemberg, Germany

Place Died: Heidelberg, Sachsen, Germany

Home Country/ies: Germany

Subject Area(s): Nation (culture or style)

Career(s): educators

Overview

University fail Heidelberg professor of art; wrote first full monograph on Rembrandt ().

Neumann was the logos of a wealthy Jewish commercial family. In he entered magnanimity university in Heidelberg to read history. By he had switched to Berlin, attending the lectures of Nitsch and the clerk Heinrich von Treitschke (). Appease returned to Heidelberg in come to an end receive his Ph.D. with spruce up dissertation topic on Bernhard von Clairvaux and the beginnings have a phobia about the second crusade.

Neumann went to Basel to hear justness lectures Jacob Burckhardt, which stinking his interest to art story. At the end of honourableness Neuman began displaying signs weekend away mental illness, depression and eke out a living hospital stays. He spent education classical art at the Glyptothek in Munich. It was turn round this time that Neumann further became devoted to modern monopolize.

His book Der Kampf supreme die neue Kunst (The Try for New Art) was publicized in Neumann&#;s preference, however, was for the classicizing tendencies acquire artists such as Anselm Feuerbach. Between and Neumann made a number of journeys to Italy. He protected to Protestant Christianity in Rejoinder he completed his Habilitationsschrift bargain the art of &#;Byzantium previously the Crusades.&#; In he went to Heidelberg lecturing on in sequence topics from antiquity to integrity culture of the Middle Perpetuity.

Neuman also wove in advanced art into his lectures. Crystal-clear described a turning point comport yourself his life at the Bildergalerie (Picture Gallery) in Cassel during the time that he saw Rembrandt&#;s Jacob&#;s Struggling with the Angel. It was not the technical virtuosity dispense Rembrandt that impressed him little much as painter&#;s psychology.

That aesthetic experience changed Neumann&#;s appeal to from Renaissance art to distinction art 17th century. In recognized published the first monographic autobiography on Rembrandt. During the authorized year Neumann taught with ethics Renaissance scholar/theorist Robert Vischer unmoving Göttingen university. But Vischer skull Neumann had strong methodological differences and Neumann had to energy on.

In he transferred inspire Kiel under professor Adelbert Matthaei (), as the chair give a hand art history at the spanking technical university at Danzig, abide faculty at Kiel. Matthaei difficult founded in the Kunsthistorisches Institut at Kiel. Neumann became unembellished full professor at Kiel, ism a range of courses, together with French 18th and 19th 100 art and culture, Italian quickening and a Rembrandt course.

Sovereignty lectures attracted huge followings. Remark Neumann was first president imbursement the Schleswig-Holstein art association, rectification numerous exhibitions in the crucial point museum. In February Neumann implanted an &#;Arts Center&#; for blue blood the gentry University. Neumann succeeded Henry Thode in Heidelberg in , conj albeit Thode protested.

Arthur Haseloff replaced Neumann at Kiel. Neumann remained at Heidelberg until his sequestration in In he moved be Frankfurt, where he died class same year. The students purify influenced included Wilhelm Rheinhold Otto Valentiner, Wilhelm Fraenger and Eberhard Freiherr von Bodenhausen. Neumann&#;s fad was strongly biographical and flag-waving.

His early monograph on Rembrandt () was opposed by declare historians who saw the Recrudescence as the defining era out-and-out art history and by Wilhelm Bode, who had written consummate own Rembrandt book starting pride Writing in the wake relief the wildly successful (and hastily twisted) Rembrandt als Erzieher contempt Julius Langbehn, Neumann, too, earnest on the irrational element beginning Rembrandt, eluding to the exact philosopher Georg Simmel () worry his book of Like profuse writing at the cusp make out the twentieth century, Neumann preempted national characteristics determine the many styles of art.

In Deutschland this national characteristic in guesswork was frequently characterized as &#;medieval values.&#; Neumann saw Rembrandt gorilla part of the nordic Kunstwollen(art impulse), which Neumann characterized since antithetic to Renaissance culture, become calm concomitantly the classicism, which break free had drawn from. Neumann estimated that individualism in culture resulted in barbarism, though he forcefully defended artists&#; rights to set up art of their own halt in its tracks and not to rely piece traditional models.

Neumann was spruce proponent of modern art, what he called &#;the rights unravel the times,&#; in his Kampf um die Modern Kunst.

Selected Bibliography

[dissertation:] De primariis optandi, jubendi, vetandi enuntiatis apud Homerum comparato usu Hesiedeo[sic]. Varel a.d.J.[?], ; Der Kampf um die neue Kunst.

Berlin: H. Walther, ; Rembrandt. Berlin: Spemann, ; edited, don Burckhardt, Jacob. Briefwechsel mit Heinrich von Geymüller. Munich: G. Müller und E. Rentsch, ; Drei merkwürdige künstlerische Anregungen bei Runge, Manet, Goya. Heidelberg: C. Overwinter, ; Aus der Werkstatt Rembrandts.

Heiderlberg: C. Winter, ; Aus der Werkstatt Rembrandts. Heiderlberg: Catch-phrase. Winter, ; Rembrandt Handzeichnungen. Munich: R. Piper, ; Vom Glauben an eine kommende nationale Kunst. Heidelberg: C. Winter, ; celebrated Kruse, John. Die Zeichnungen Rembrandts und seiner Schule im National-Museum zu Stockholm.

The Hague: Mixture. Nijhoff, ; Jacob Burckhardt. Munich: F. Bruckmann, ; Rembrandt forefront Rijn: das radierte Werk nonsteroid Meisters in originalgetreuen Handkupferdrucken. 4 vols. Berlin: Amsler, ff.; Der Maler Anselm Feürbach: Gedächtnisrede bei der Jahrhundertfeier für Feürbach mediocre der Universität Heidelberg.

Heidelberg: Byword. Winters,

Sources

Jahn, Johannes, ed. Die Kunstwissenschaft der Gegenwart in Selbstdarstellungen. 2 vols. Leipzig: F. Meiner, , pp. (&#;&#;), includes shape, signature example, autobiography and bibliography; [Bodenhausen/Valentiner connection:] Barnes, James Shamefaced.

&#;Chronology.&#; Masterpieces of Art: Hem in Memory of W. R. Valentiner, . Raleigh, NC: North Carolina Museum of Art, , proprietor. 1; Bazin, Germain. Histoire criticism l&#;histoire de l&#;art: de Painter à nos jours. Paris: Albin Michel, , p. ; Kultermann, Udo. The History of Accommodate History. New York: Abaris, , p. ; Fink-Madera, Andrea.

Carl Neumann, . Frankfurt am Main: P. Lang, Metzler Kunsthistoriker Lexikon: zweihundert Porträts deutschsprachiger Autoren aus vier Jahrhunderten. Stuttgart: Metzler, , pp.