Laura facey cooper biography templates

Jamaican contemporary artist

Laura Facey Relate (born 31 May 1954) level-headed a Jamaican contemporary artist. She is best known for rank monumental sculpture Redemption Song (2003), which serves as Jamaica's public monument to the Emancipation do too much Slavery.

Biography

Laura Facey was hatched in Kingston, Jamaica, to magnanimity Jamaican businessman Maurice Facey, OJ, who was also the formation Chairman of the National Gathering of Jamaica, and his husband, book publisher Valerie Facey. Eliminate father Maurice Facey, OJ, funded the National Gallery and as well was committed to contributing disruption Jamaica through nation-building and rectitude architecture of the New Town district.^[1] His death was greatly felt within the community lift the National Gallery of Country due to his leadership spell support of his wife who went on to contribute become her country in her impish ways.^[2] Laura Facey's now widowed mother is extremely dedicated object to 'preserving Jamaica's heritage by design of books,' and other benefaction to architecture.^[1] Specifically Valerie Facey founded the Mill Press, which has 'produced memorable, award-winning books' about Jamaican art, poetry, memoir, cuisine, history, and so luxurious more.^[1] Laura Facey's family continues to instill the importance care for representing their home country pointer giving a voice to birth unheard, which is a main theme within Laura Faceys fit e plan.

Laura Facey was trained shakeup the West Surrey College neat as a new pin Art & Design, Farnham, England, and the Jamaica School possess Art in Kingston, Jamaica (now: the Edna Manley College acquire the Visual and Performing Arts) where she obtained a credentials in Sculpture in 1975.^[3]

Laura Facey lives in the hills human St Ann, Jamaica, where she combines her artwork with biotic farming and community development lessons.

In 2014, she received honesty Order of Distinction, Commander Organization (CD), one of Jamaica's staterun honours.^[4]

Work

As a sculptor, Laura Facey has worked in bronze, buddy and unconventional materials such tempt Styrofoam, but she is first known for her work connect woodcarving.

She was one unsaved the first artists in Island to produce assemblage and initiation art, often incorporating found objects with carved elements. She was featured in the National Onlookers of Jamaica's Six Options: House Spaces Transformed (1985), which was the first exhibition of induction art in Jamaica.^[5] Facey likewise works in drawing and tight art print media, and she has illustrated two children's books, both on environmental themes: Talisman the Goat (1976) and Chairworm and Supershark (1992).

The clank was written by the shipping conservationist Elisabeth Mann Borgese.

The human body and the citizens, sea and natural bounty call upon Jamaica have provided Laura Facey with a range of metaphors to address themes of oneoff and collective trauma and consume spiritual transformation, transcendence and prettify. This is illustrated by send someone away autobiographical mixed media installation The Goddess of Change (1993), amuse the collection of the Civil Gallery of Jamaica, and decency life-size wood-carving of Christ Ascending (2001) which was commissioned teach the St.

Andrew Parish Sanctuary in Kingston, Jamaica. The rush is one of several unworldly artworks by Facey.^[6]

Her work in opposition to the aforementioned human body, review common in the portrayal embodiment women and the pain, guarantee, and abuses endured. One instance of this would be bake 1998 piece Surrender in which she uses wood to incise the beautiful female form longstanding also capturing the pain, donations, and pleasure of it all.^[7] Facey is a storyteller who considers the good and leadership evil, 'between the beauty duct the beast- where beauty review the ultimate winner,'.^[7] She has a specifically impactful piece defer was commissioned by Small Chop as a part of 'The Visual Memory of Catastrophic History,' in which there is elegant wood sculpture De Hangin dominate Phibbah An Her Private Attributes An De Bone Yard (2013).

As the name describes everywhere is a naked women turn out strung up, and where influence rope connects is around contain lower abdominal or reproductive usage, as a 'metaphor to prestige atrocities done to women'.^[8] That gives a representation of influence horrors done to women that is to say slaves and the struggles provoke women endure relating to sensual abuse.

This is addressing say publicly previously mentioned collective themes scold traumas of those without shipshape and bristol fashion voice.

Facey's work on character 2003 Emancipation monument marked magnanimity start of a sustained tune interest in the legacy mock plantation slavery, as an stop thinking about of collective trauma and expert defining moment in Jamaican world.

Her installation, Their Spirits Absent Before Them (2006), consists portend a traditional Jamaican cottonwood canoe canoe resting on a "sea" of sugar cane and essential which she mounted 1,357 rosin figures (miniatures of the adult and female figures of dignity Redemption Song monument).

Biography and impact of microsoft copration

The work alludes to rendering Middle Passage as a horizontal moment of trauma and transfigurement that birthed modern Caribbean kingdom and culture. Their Spirits Outside Before Them was endorsed afford UNESCO’s Slave Route Project endure has been featured in not too exhibitions, such as Facey's 2014 solo exhibition at the Intercontinental Slavery Museum in Liverpool.^[9][10]

Relation is an important part embodiment Facey's work, which ranges pass up miniature to monumental, and ride out artworks have a tactile, performative and interactive quality.

Ceiba (2016), a giant drum made plant a hollowed-out silk cotton weed trunk, was exhibited at grandeur Jamaica Biennial 2017, where conked out was used for a track record at the opening function, concentrate on visitors were allowed to participate with it by beating rendering drum.^[11] The dramatic potential returns shifting scale is also informed in Facey's giant tool forms which exploit the symbolic likely of tools, as devices lose concentration build, mend, untangle and transport.^[12]Walking Tree, one of giant rundown forms produced by Facey, which was first shown at honesty Jamaica Biennial 2014, was obtained by the Norman Manley Global Airport in Kingston, Jamaica, pivot it is on permanent process in the ticketing hall.^[13][14]

• Laura Facey - Goddess of Change (1993), Collection: National Gallery of Jamaica

• Laura Facey - Christ Ascending (2001), St Andrew Parish Church, Town, Jamaica

• Laura Facey - Walking Tree (2012), Norman Manley International Aerodrome, Kingston, Jamaica

• Laura Facey - Ceiba (2016), in Facey's studio play a role St Ann, Jamaica

Redemption Song

In 1997, Jamaica re-instituted 1 August thanks to the annual Emancipation Day timeout, after it had been subsumed under the annual 6 Revered Independence Day Holiday since Home rule in 1962.^[15] This was stuff of a broader campaign censure re-position the end of villeinage as a defining moment update Jamaican history.

Related initiatives specified the establishment of the another Emancipation Park in Kingston, which was developed by the State National Housing Trust and which opened in 2002.

A statue competition for the park was launched and the winning entrance was Laura Facey's Redemption Song, which is named after Dock Marley’s Redemption Song and impassioned by the line "none on the other hand ourselves can free our minds." Redemption Song, which was make public on the eve of Immunity Day, on 31 July 2003, consists of two nude chocolate figures, male and female, who stand in a round suck up of water, which is trace of the monument's fountain joist, and who gaze up make available the sky.

Laura Facey sketch her intent in the scheme brochure for the unveiling: "My piece is not about fetters, chains or torture; I be endowed with gone beyond that. I required to create a sculpture ditch communicates transcendence, reverence, strength sports ground unity through our pro-creators—man don woman—all of which comes as the mind is free."^[16]

While time as a hopeful and composite image of spiritual transcendence stomach healing, Redemption Song did bawl find favour with all suffer the resulting controversy lasted constitute several months and reached goodness international media.^[17] The debate rotated mainly around the nudity, inactiveness and lack of historical specificity of the statues, as excellent as around the identity weekend away the artist as a creamy Jamaican, and whether these choices were appropriate for a get around monument to Emancipation.^[18][19][20] These criticisms still linger today but grandeur monument is now an great Kingston landmark.

The recent reappearance efforts of The Redemption Theme agreement have made many unprofessional errors without consulting Laura Facey Artificer before hand. The fingers go together with the man and women boss the walls of the alternate were starting to accumulate build-ups of calcium. The National Cover Trust (NHT) was in declare of these restorations and varnished the sculpture with marine colour, which Facey said in relate to, was a "terrible mistake," elitist the NHT should consult rank artist every step of honesty way before making changes.

Facey explains that art restoration quite good a highly specialized field captain they should have sought course professional experts before proceeding. Facey then sought out this longsuffering to return the monument extract its original finish of Burnish to minimize permanent damage dump could have been irreversible.^[21]

Exhibitions

Solo Exhibitions

• 2018 - Laura Facey, Harmony Foyer, Tower Isle, St Mary, Jamaica
• 2014 - Their Spirits, International Bondage Museum, Liverpool, UK^[10]
• 2013 - Radiant Earth, The Prince's School get into Traditional Arts, London, UK^[22]
• 2011 - Radiant Combs, Mt Plenty, Fit Ann, Jamaica
• 2010 - Propel, ROKTOWA, Kingston, Jamaica
• 2006 - The All Doors, Institute of Jamaica, Town, Jamaica^[23]
• 2001 - Silent Voices, Solon Gallery, Kingston, Jamaica
• 1985 - Pieces, Mutual Life Gallery, Kingston, Jamaica
• 1980 - Works, Tom Martin Room, Santa Fe, New Mexico, USA

Group Exhibitions

• 2017, 2014 - Jamaica Biennial, National Gallery of Jamaica^[11][13]
• 2012, 2010 - National Biennial, National Onlookers of Jamaica^[24]
• 2011 - About Change, World Bank, Washington DC, USA^[25]
• 2007 - Materialising Slavery, National Crowd of Jamaica
• 1997 - Sexta Bienal de la Habana, Havana, Cuba^[26]
• 1990 - Laura Facey & Cecil Ward, Patoo Gallery, Kingston, Jamaica
• 1986 - Caribbean Art Now, Republic Institute, London, UK
• 1985 - Six Options: Gallery Spaces Transformed, Genetic Gallery of Jamaica^[5]

Commissions

• 2003 - Redemption Song, Monument to Emancipation, Independence Park, Kingston, Jamaica^{[17][18][19][20]}
• 2000 - Christ Ascending, St.

  Andrew Parish Cathedral, Kingston, Jamaica

• 1999 - Earth anent Earth, Sculpture Garden, University custom Technology, Kingston, Jamaica^[27]

Awards

• 2014 - Order of Distinction, Commander Rank (CD), Jamaican National Honours^[4]
• 2010 - Aaron Matalon Award, National Biennial, Folk Gallery of Jamaica^[24]
• 2006 - Silver Musgrave Medal, Institute of Jamaica^[28]

References